A Strong and Unapologetic Voice in Criminology

Criminologist and forensic psychologist Roberta Bruzzone is exactly what she looks like on the small screen. A strong woman. A woman who knows what she wants. And he got what he wanted, all by himself. Is he a narcissist? Maybe yes. But there’s nothing wrong with that. He speaks openly to Corriere della Sera: “I am a person who knows his value, who is aware of my qualities: I have proven this on the field, without shortcuts, tricks, lies and triangulations. I am someone who reveals the claws when necessary, but never to get what I have.” I haven’t had to cheat or lie, I’m definitely not afraid of being the center of attention.”

Beauty

And those who think that her beauty helps her on television are wrong. Very wrong. “If someone believes that beauty helps me, obviously they can’t understand what I’m saying, so that becomes their limitation and it makes me a little sensitive. I believe that what I do has very little to do with beauty and beauty. Having a genital organ that I never use to gain an advantage… “

According to Corsera, Roberta Bruzzone “is still provocative: I see myself as a good example of a different way of being a self-aware woman who doesn’t have to ask permission from anyone.”

femicide

From Quarto Grado to Dancing with the Stars and RaiPlay hosted by In the Mind of Narcissus, the documentary series tells the story of the evil, cruel narcissist, starting with four heinous criminal cases: Benno Neumair, the murder of Sarah Scazzi, the murder of Temù Tramontano- Impagnatiello case. “These people have the ability to relate to the victim in a very seductive, dazzling way. They bombard you with positive stimuli, compliments, promises of eternal love and a series of ‘attentions’ that please the victim and bring him to a certain level. The program is a sign of these issues “It teaches us not to underestimate these trademark first hooking methods.” A third stage was added to all this: “Discredit and devalue the victim, attack him with long silences and absences, insults, humiliations.”

Then again: “These issues confront you with a choice: Me or the rest of your life. It’s a method of blackmail that’s only pleasingly executed.” Hence the danger: “When the victim runs the risk of these individuals becoming threatening because they reveal their true social and psychological identities: unmasking can become the most dangerous element.”

Imitation

He explains to Corriere della Sera the reasons why he was upset by Virginia Raffaele’s impersonation. “I was particularly disturbed by an imitation of Maria De Filippi; she depicted me dripping with blood, mocked my work in front of suffering people, offended the memory of the victims.”